OFFKILTER

The Offkilter series examines the shifting relationship between structure and the organic—an ongoing effort to reconcile precision with spontaneity, stillness with instability. Abstract architectural forms, geometric shapes, and references to materials like concrete, terrazzo, and marble create a visual language of weight and permanence. Rooted in the monotype process, each piece is built through layered impressions, carefully pulled by hand through the press. This method balances control with unpredictability, allowing elements to emerge, shift, or dissolve.

The process is physical and immediate: ink is added, removed, and reworked. Each layer alternately obscures or reveals what came before, with welcomed misalignments and imperfections that become part of the visual vocabulary—traces of a thought in mid-gesture.

While some works hint at natural incursion or organic forms, others remain firmly within the realm of the constructed—quiet studies of rhythm, pressure, and repetition. Together, the pieces form a language of contrast: manmade and emotive, flat and dimensional, solid and soft.

These prints don’t seek resolution. Instead, they inhabit the space between opposites—giving voice to the unfinished, the uncertain, and the off-kilter.

All works are original one of a kind monotypes